Jo bhuli inhe zameen, jo bhula yeh aasmaan, na kehlaaen yeh insaan.ĭ-Day is an uncharacteristically authentic album according to Bollywood standards that throws up interesting results. Indian Ocean frontman Rahul Ram's vocals appear like a sweeping voice of truth, reminiscent of Bandeh, and its arrangement like an epic orchestral score is universal, all-pervasive. The haunting quality would have been enhanced with a more appealing melody line.ĭhuaan is the quintessential "closing song". Ek ghadi has the vibe of a Vishal Bhardwaj composition sung by Rekha Bhardwaj (who is the singer here), with the mellow semi-classical flourishes that blend with psychedelia of guitars. Where it lacks in the absence of a remarkable melody, it makes up with the rest. It shuttles between a bandish and a qawwali, and there are wonderful juxtapositions with the guitars. Just the classical austerity of the harmonium, dholak and khanjari and the wonderful Hindustani classical singing makes Murshid khele holi work. Sukhwinder Singh's vocals play cameo but the portion's familiarity takes away more than it adds to the song. 9 years ago Wali Khan (Irrfan Khan) was sent into Karachi, Pakistan by the Chief of RAW Ashwini Rao (Nasser) to report the activities of The Most Wanted Man in India. In Alvida, the anglicised moody vocals of Nikhil d'Souza and Shruti Hassan work beautifully, lending it the sadness of a farewell song. Also discover the danceability, energy, liveness, instrumentalness, happiness and more musical analysis points on Musicstax. Singer Mika perfectly balances flamboyance with the required Sufi essence. Find the key and BPM for Alvida By Nikhil DSouza, Sukhwinder Singh, Shruti Haasan, Loy Mendonsa. In Duma dum mast kalandar, SEL create a striking sound of cheap keyboards, rubab, and ample dholaks and tablas that capture the sights and sounds of a north Indian wedding. For the reworked version of any old, known classic to work, it is important that its arrangement works. For Nikhil Advani's D-Day, composers Shankar-Ehsaan-Loy (SEL) come up with an unconventional soundtrack that remains true to the film's setting. Kokhono rakhini chokh dana mela gangchil-eĪmi shunechhi shedin naki tumi, tumi, tumi mileĪmi shunechhi tomra naki akhono shopno dekho,Īmi du chokher gohbor-e shunnota dekhi shudhu Neither are we able to understand the meaning or its placement in the given circumstance. But then there are some lyrics that absolutely make no sense at all and confuse us to the core. They give body and a much needed pace to the film in most cases.
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In an ensemble, discussed many complex conundrumsĪmi shunechhi shedin tumi shagorer dheu-e chepeĪmi shunechhi shedin naki nona bali teer dhore bohudur bohudur hete eshechho. Bollywood songs are a critical part of our films. I’ve heard…that day, you walked alongside the salty shoreline
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I’ve heard…that day, you went to touch the blue horizon Here goes a real crappy, quick (almost literal) translation as if these moments are spilled from the eyes of sadness. Maano jaise gham ki palkon se chhalke hain yeh pal.
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Don’t know how these moments are scattered like the broken relationships. Few days back I found this new (at least new to me) song by Mousumi – ‘Shopno Dekhbo Bole’ (‘Cause I want to dream) and got mesmerized by it! “Shopno Dekhbo Bole” (‘Cause I want to dream) by Mousumi Bhowmik Jaane kaise toote rishton se bikhre hain yeh pal. Bengali song trend also changed from urban-folk songs to band music, but I still carry on the nostalgia in my iPod. I left Calcutta, living in Singapore for last 8 years. I really liked her album ‘Tumio Chil Hou’ (You become an eagle too). During the wild wild era of urban-folk-songs in Calcutta (90’s), apart from Sumon and Anjan, few other singers grabbed my attention.